PARTIAL AND FULL GRIPS · 8 MIN SUGGESTED
Jazz Guitar Barre Chords: Fifth-String Root Sevenths
Construct major, minor and dominant seventh chords from a fifth-string root while deliberately muting the sixth string.
Fifth-string-root seventh-chord barres · By Vincent Iannone · Updated
How do you play seventh-chord barre chords with a fifth-string root?
Fifth-string-root barre chords put the root on the A string under an index barre across strings 5 to 1, with the low E string muted. They are the partner family to sixth-string shapes, so together they cover any root within a few frets. The Dmaj7 example at fret 5 is x-5-7-6-7-5, sounding D3, A3, C♯4, F♯4 and A4. Lowering the seventh, C♯ to C, gives D7 (x-5-7-5-7-5). Lowering the third of D7, F♯ to F, gives Dm7 (x-5-7-5-6-5). Keeping the root and fifth in place while changing only one guide tone is the quickest way to learn all three qualities, and the shapes move to C, F or any other root on string 5.
The idea
This family places the root on string 5 and uses an index barre across strings 5–1. The sixth string remains muted. A major seventh and a dominant seventh differ by one semitone in the seventh; a minor seventh and a dominant seventh differ in the third. The diagram identifies every sounding fret and the fingers that override the index barre.
Put it under your fingers
- Read Dmaj7 at fret 5, including the muted low E and the separate fingers on strings 4, 3 and 2.
- Compare Dmaj7, D7 and Dm7 before transposing. Keep the root and fifth in place while identifying the changed guide tone.
- Build Cmaj7, lower its seventh to make C7, then transfer the major-seventh form to F.
Read the grip before applying pressure
Construct major, minor and dominant seventh chords from a fifth-string root while deliberately muting the sixth string.
Sounding notes: D3 → A3 → C♯4 → F♯4 → A4.
| # | Sounding note | Move from the previous note |
|---|---|---|
| 1 | D3 | Starting note |
| 2 | A3 | Up 7 semitones |
| 3 | C♯4 | Up 4 semitones |
| 4 | F♯4 | Up 5 semitones |
| 5 | A4 | Up 3 semitones |
Make it yours
Play the fifth-string-root forms while avoiding string 6. Compare Cmaj7 with C7, then move the original major-seventh form to F without changing the fingering relationships.
Keep the ideas connected.
- Partial Barre Chords: Three-Note Jazz Guitar VoicingsRead a short index-finger barre and distinguish minor and dominant upper voicings above a supplied bass.
- Jazz Guitar Barre Chords: Sixth-String Root SeventhsConstruct movable dominant, minor and major-seventh grips from a sixth-string root, with explicit finger and barre assignments.
- From Shell Voicings to Barre Chords on GuitarRetain chord identity while changing from a three-note shell to a fuller barre grip.